Daniel Díaz-Piñeiro (1975, A Coruña, Galicia, Spain) is a visual artist who has been living and working in Berlin since 2011. His works, which combine painting and mural art, explore the concepts of fractality, identity, memory, and urban transformation. He began signing under the name Daniel de Isabel, under which he developed part of his early works at the legendary Kunsthaus Tacheles in Berlin. His visual approach combines abstraction with architectural and natural references, particularly through fractal structures, which he has brought into public spaces and galleries internationally.

He collaborated with the collective Neu West Berlin, with which he participated in projects such as the “Berlin Wall Unit,” and created murals in Santiago de Compostela and various Berlin parks. His series “Panama Paintings” (2017), inspired by the Panama Papers, was featured in The Guardian and The Wire for its critical view of the financial world through art. Díaz-Piñeiro has exhibited, among other places, at:

MACUF, A Coruña (2006, Spain, group exhibition)

Kunsthaus Tacheles (2010–2012, Berlin, Germany)

Galerie Myriane (Paris, France, 2015)

Stadtgalerie Kiel (Kiel, Germany, 2017)

The Equator Memorial Project (Iceland, Reykjavik, 2018)

Flutgraben Berlin (Germany, 2019)

Neu West Berlin Depot (2020)

He is currently working in his studio in Berlin-Zehlendorf on his abstract art project Fractals.